Back To "Normal"

I didn't immediately blog about the end of the Fest because I was kind of exhausted, and had to get up very early the next morning to drive to Tampa, and also because for me (and I think for a lot of people), the Fest kind of petered out on the last day rather than wrapping up with a resounding bang.

It seemed as though there weren't nearly as many as shows on Sunday, and that those that were happening tended to conflict with each other or be on opposite sides of town, forcing people to make difficult and sometimes dispiriting choices. Also, a cold (at least by Florida standards) wind blew in along with some rain, and most of us weren't really dressed for it, and on top of that, people were pretty worn out from tramping all over town and (not in my case personally, but for many others) staying up all night drinking and/or trying to sleep on bathroom floors in hotel rooms with one bed and 17 occupants (the room, not the bed, that is, though I can't vouch for every situation).

Pretty much every representative of the PPMB and New York pop punk crew was on hand for the double-barreled finale of Short Attention and the Ergs. Non-PPMB Festgoers may not have known exactly what to make of Short Attention (though they seemed to like them), but went completely insane for the Ergs. My misguided masochism led me to stand right up front for them (perhaps it was some mad macho posturing attempt to prove that a 60 year old can still handle himself in the pit), and it proved to be a bit more challenging than the Avail pit, though the stage divers and crowd surfers tended to be a bit less beefy. I still took a moderate kick to the side of the head from one doofus, but also played a crucial role in sending several others crashing to the floor.

By the time the Ergs finished - around 8:30 pm - there wasn't much else going on in the other venues. There was a Small Brown Bike reunion, but I'd never got into them the first time around, and some band called Seaweed, whom I remembered as being vaguely big sometime back in the 80s or early 90s. I think they had long hair and were kind of in that Nirvana vein, but whatever it was, it had nothing to do with me, so I stood around with the rest of the Ergs crowd outside Common Grounds, renewing old acquaintances, making new ones, and trying to stay warm. Eventually I ended up in one of those 17-person hotel rooms for what was supposedly a "party," but looked more like a bunch of guys and on or two girls lounging around drinking beer while the last World Series game played silently on the TV.

It was still technically my birthday, remember, so I left on my own and got some Krispy Kreme donuts in lieu of a birthday cake (I seemed to have become immune to the smell, which was a bit worrying), and headed back to my hotel to sleep. In the morning I made it to Tampa in record time, caught a plane to Washington, and despite my aching feet, did some sightseeing, taking in the White House, the National Mall, the Washington Monument, and the Capitol. I'd seen the first three previously, albeit briefly, but this was the first time I'd ever got a good look at the Capitol. Pretty snazzy, I must say, though I'll have to go back another time to take the tour and see the inside.

In prior visits to Washington, I'd been mainly occupied in protesting (1967) or seeing an Avail show (1994 or 95), and hadn't really had more than a cursory look at anything. I did walk past the White House in 1967 - this was back when you could still get a lot closer than you can now - and imagined I saw President Johnson looking out an upstairs window with the weight of the world on his shoulders. It was later that same night when I met two teenyboppers from Baltimore down near the Jefferson Memorial, where we in turn were picked up and given a place to stay by a young man who worked for Senator Fulbright and had a picture of himself as a teenager shaking hands with John F. Kennedy. I may never be able to prove it with any certitude (unless I meet him again and ask him), but I'm about 99% certain that our host that night was a 21 year old Bill Clinton.

My sightseeing this time was cut short by my sore feet and temperatures that were way too chilly for the wardrobe I'd packed with Florida in mind. I ended up staying indoors after dark instead of investigating Washington's night life, assuming it has any (it certainly didn't in the neighborhood where I was staying, where everything, even the Subway and the Starbucks, seemed to close up by 7 pm). The following morning I caught the train back to New York and arrived just in time for the long-awaited Weakerthans show.

My friend and hero John K. Samson had grown a beard for the occasion, prompting me to ask him if he was honoring the spirit of Gainesville, though his beard would have been far too neat and kempt (I know that's not a word, but it should be) for the Fest crowd. Perhaps they in especially high spirits because of having the next day off, but for whatever reason, the Weakerthans played a full hour and forty-five minutes, something that would be unforgivable in most bands, but in this case was still barely enough. They did two encores which together added up to almost a show in themselves, and ran through nearly half of the songs from their new album, of which "Sun In An Empty Room" hit me with the most impact, especially followed as it was by "Left And Leaving."

As I explained to John afterward, the last three and a half years for me have been all about empty rooms and leaving places behind; first Spy Rock, then London, and finally Berkeley. I especially remembered the look of the Spy Rock house as I said my last goodbyes to it, with the sun spilling though the windows and splashing off the wood, looking so rich and warm and inviting and at the same time so desolate and forlorn.

And I guess I feel a bit desolate and forlorn myself at times, cut adrift from so much of what was familiar and waiting for my new life to take form. Part of my problem in the past was that while I was always ready to try new adventures in new places, I could never quite bring myself to let go of the old ones, so I'd find myself in the uncomfortable and untenable position of trying to live several places at once.

Now there's just one place, here in Brooklyn, and while my present living circumstances are not completely ideal, I can't think of anywhere else I want to be. It's still not quite home, but more and more it's beginning to feel that way. Tearing across Manhattan today on a series of errands, arguing with an intractable bank clerk who didn't want to let me open an account there because "you don't live or work in the neighborhood," zipping up my fleece and shivering slightly as another foretaste of winter blew in off the Hudson, I thought, yes, this is my life now, and you know, it's a pretty good one.

The Last Night Of The Fest

I just sat down for the first time in what seems like about 16 hours. Upon more careful reflection I realize I'm probably engaging in hyperbole: I recall briefly parking myself in a chair in the upstairs bar somewhere around 7 pm, and of course I had to sit down to drive the car back here to the hotel, but apart from that I've been not just on my feet, but pretty constantly in motion for over 14 hours now.

I remember at one point someone asking what time it was and how many more bands still had to play, and realizing that even though we'd already put in a pretty full day of rocking and rolling, that it was only 5 o'clock and there were still eight (in the end it turned out to be nine) more hours to go. "If this were a job," I said, "We'd already be collecting overtime." It wasn't a job of course, though right now I'm feeling like I just put in a double shift at the steel mill; what it was - and no hyperbole here either - was one of the best days of my life.

A bit over the top, you ask? I don't blame you; it sounds that way to me, too, and when the phrase first popped into my head around the time the Mr. T Experience tore into "I Fell For You," I thought I'd better check with a few other festgoers before dropping it on the public. But the first five people I asked instantly agreed that it was one of the best days of their lives as well, and Jackie O. unhesitatingly pronounced it THE best day of hers.

I pooh-poohed that notion at first on the ground that her life hadn't been much more than a third as long as mine, but then accepted that both of our opinions were quite valid. Still, I hadn't fallen in love or won the lottery, or even done much at all apart from watch bands, dance, and run around talking to a couple hundred people. So what made it so special then?

The only answer I can come up with is: everything. Every single blessed thing, even the minor and major annoyances like getting clumped in the head by the flailing feet of a couple stagedivers or the power going out last night and shutting down Friday's fest session about four hours early. The latter was a disaster that would have sent lesser men (like, say, yours truly) running for cover, but faced with the likes of Chris Thacker, Pat Termite and Mark Enoch, the disaster quickly turned into no more than in a minor hiccup. The power was back up and running this morning, and with a few quick adjustments to the schedule, it was possible for nearly every band to play, and because set times were shortened (in most cases) to half an hour (strictly enforced by Mr. Termite, one of the best stage managers in the business), the bands wound up turning in tighter shows and better thought out sets than we would have dared hope for if they'd had 45 minutes or an hour to screw around in.

One exception to the half hour rule was Ben Weasel. The organizers wanted him to play for an hour, at least twice as long as most Weasel extravaganzas I'd ever seen, and in this case they turned out to be correct. Backed by New Hampshire's Guts and opening with a trio of songs from My Brain Hurts, Ben then proceeded to whip through a selection of Riverdales, Ramones, and Ben Weasel tunes, topped with a Queers cover ("Love Love Love." Ben then came back as guest vocalist with the Steinways, who've been known to insert the odd Weasel cover into their set list. The look on Chris Grivet's face as he played drums behind the man who'd been a punk rock god to him for 13 or 14 years was priceless.

"Grivet, back when you were a kid listening to Screeching Weasel, did you ever think..."

"No! Not in a million years."

"...that you'd be sitting there staring at Ben Weasel's ass while you and he played some of the favorite songs of your life?"

But the day was full of priceless moments like that. In fact, I'm tempted to say that's all the day was: an unbroken string of priceless moments that people will still be talking about 20 years from now, the same way they still talk about Gilman Street in 1987, or the first time they saw Operation Ivy or Screeching Weasel or Green Day.

I know, I said something like that about last year's fest, and I don't take any of it back. The thing is, this year's fest was just like last year's except for being bigger, better and even more amazing. I couldn't even begin to list all the highlights, musical or otherwise, especially not tonight when I'm desperate to get a few hours sleep before an early morning wakeup call for the trip back to New York, but let me just mention the Ergs, who were about as sensational as I've ever seen them, the Methadones, with Dan Vapid singing sans guitar for the first time I've ever noticed and topping off their set with a blistering version of "What We Hate," which, sadly, Ben didn't get round to doing, and the Copyrights, one of last year's sensations who have clearly upped the ante since then.

Also upping the ante were the Parasites and the Beatnik Termites, who to be honest haven't always impressed me in the past, but who each turned in the set of their lives tonight. It was as though bands were feeding off the incredible energy of the crowd and sending it winging right back at them. That, coupled with the excellent sound system and an audience fully prepared to sing along with every line, meant that were to be no bad performances, at least not that i saw. The Guts were sensational, both backing Ben Weasel and maybe even more so on their own (not to mention when Wimpy joined them for a mini-set of classic Queers songs). Hell, I don't know anyone who wasn't sensational, to the point where I was worried whether enough of the crowd would still be on its feet by the time the Mr. T Experience took the stage in the very nearly wee hours to wrap up the fest.

I needn't have concerned myself. Despite having spent much of the earlier evening propping up the front bar and possibly attempting to drink it dry, Dr. Frank demonstrated once again why show business is his life, treating a frenzied audience to exactly what I hoped he would: a delicately balanced admixture of mid-90s pop-punk classics and more contemporary stuff that should be classic, even if it isn't yet. He even threw in MTX's big "hit" from the 1980s, "Danny Partridge Got Busted," which pleased the purists and completists no end, but seemed to leave the younger end of the audience looking a bit bewildered. Roach and Scampi from the recently defunct Groovie Ghoulies, jumped on stage to do a number with Frank and the boys, and when I saw him heading in that direction, I figured B-Face, himself a former Ghoulie, was going to get in on the action, too.

Sadly he didn't. I guess you can't have everything after all, though the one wish I wasn't granted was for MTX to finish up their set with "Dumb Little Band," the song that probably sums up as succinctly as it can be summed up the whole pop-punk experience of the past 10 or 20 years. But such was not to be the case, so... maybe next year.

And there will be a next year, probably twice as big again as this year's model, and they're also talking about taking the show on the road. Just in case there was any doubt about it, today's/this weekend's events proved pretty definitively that this pop-punk thing isn't going away any time soon.

But I am: geez, I really have to get some sleep. Don't worry, much more fest coverage is sure to come to your way soon, and if you have a spare week or two to read it all, hop on over to the PPMB for what's likely to be some of the most exhaustive and exhausting discussion ever. Just don't mention the donuts.